GUIDE
7
ART CRITICISM
ACTIVITY 2. REVIEW IN ENGLISH.
“TASTETICS”
Review about "Of the Standard
of Taste" by David Hume.
David Hume, thinker, born in Scotland in 1711, one of
the most important figures of the European Enlightenment, had his culminating
moment through the English empiricism. Focusing on issues of taste and
aesthetics, as we can observe in "Of the Standard of Taste" included
in the book "Essays and treatises on several subjects" published in
1947, he wondered about the possibility of establishing rules and concepts that
determine taste, as foreseen in this title, and also wonders if there are
principles to define universal taste.
Since before his time,
philosophers and intellectuals have much discussed about the validity of that
notion established on these topics that contains many ethereal and subjective
facts in its conception. There are lots of issues around it and this was a work
undertaken by Hume in a detailed high quality analysis that led him to present
factors that show whether taste is a subjective feeling for each person or
indeed may have a series of benchmarks to establish reasonable and meaningful
definitions.
Hume begins his writing
acknowledging the existence of a variety of thinking and factors likely to
please different people and in different ways, even when they have shared their
social and cultural environment. Then, he refers to particulars available in those
environments and the way some men can learn from them as the basis to
understand and respect them with common sense and accept the possibility of a
variety of points of view and understanding aesthetic beauty as a feeling. It
is discussed elsewhere in a dilemma that makes it range from a few thinkers
power to establish rules on taste or pursuing this within the universal laws of
nature. Thinkers to assume this responsibility, or who have credentials to be
called critical, as this author says, may be those who meet qualities as
"good sense" to discern a "delicate taste" to capture
nuances and an "aesthetic acuity" that allows them to make judgments.
This leads him to venture into the field of aesthetic rationality as a fundamental
matter in the rules of art widespread approval that men give to many enduring
works which, for this reason become aesthetically beautiful. After that, the
next task was to find the questioning undertaken in the field of discussion
that might be related to the issue of taste. About the correct rating of
critics and their qualities, says Hume, knowledge of art as delicate
imagination and good sense in addition to the distance regarding the critical
personal biases are considered valuable to deserve this title. In his last
pages, he touts the fact that an agreement between the different parties may be
given to search for specific items that can generate any sense of excitement or
admiration, within the same work, sometimes found in different chronological
times or in many other ways and may also be never agreed.
Through some procedures and
behaviors used as conviction strategies and that use these matching elements
are a breakthrough of Hume as a philosopher because it established a
demonstration of the "art of reasoning from generally accepted
opinions" as a teaching tool of certain parameters as irrefutable
aesthetic factors can be defined as taste after a process of understanding, a
process as the one that was analyzed by Sontag, S. (1966) in “Against
Interpretation” who explained the importance of aesthetics when she wrote in
favor of signifier, shape and form over signified, interpretation and contents
as she explained.
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